Place the shortest straw on the right hand side of the tape, with the same amount (about 3/4 inch) hanging over the edge. How to Make an Easy Pan Flute from Any Metal Pipe Pan flutes can be made from a whole range of materials, from drinking straws to bamboo, but here's a more unusual version that's made from metal plumbing pipe. This Instructable is splitted in two parts: theory and practice. Any ideas? We can calculate the distance of the hole center from the open end using the same formula I've shown in previous step (see first image). Re = 15.5 cm
A common comment that I hear from people when they find out that I make my own Pan Flutes is that it must be very hard to cut the pipe to precisely the right length to produce the desired note or pitch. Actually, the lengths of the pipes constitute the least exacting aspect of Pan Flute making. Just as long as the pipes are longer than the minimum length that they need to be for producing their desired pitch, plus a comfortable tuning margin, they are then tuned up to pitch by the insertion of tuning material, which is packed down into the bottoms of the pipes. The pipes of the upper octave of an Alto Pan Flute are more than halfway full of tuning material; if they were the exact length that they needed to be to produce the desired pitch, they would be too short to hold comfortably with the fingers. The traditional tuning material used in the Romanian Pan Flute is beeswax; its advantages are that it is flexible and malleable, and readily sticks to the bottoms of the pipes, sealing off the bottoms as well. Its main drawback is that it expands quite a lot in hot weather, which tends to raise the pitch of the pipes.. So what you are actually hearing is the air inside of the straw, not the flute itself. also remember to look at the most recently cut straw so that you know where to cut (it does not need to be perfect.) amzn_assoc_ad_mode = "manual"; You need bamboo. The formula we need is the one in the first pic.
2 Scour for bamboo. Lay them out next to each other, with the top edges lined up. Math:Kids will need to measure and compare lengths in order to create their straw pan flute. The disposition of tubes, in my opinion, is not so good, because of my lack of memory. 4. An assortment of drill bits ranging in diameter from 2mm to 1.5 cm. We need some calculation, obviously. Putting a quality Pan Flute together is a lot like putting together a jigsaw puzzle you always want to be able to reach for, and find, a piece that is just the right size and shape to fit. This requires having a good supply of bamboo pipes, of all assorted sizes and bore diameters, ranging from the very largest that you will be using, right down to the very narrowest, and every conceivable size and diameter in between. You definitely dont want to come up short, so its always better to have a supply of bamboo in excess of your needs than to be wanting in any way, or having to make do with a pipe that really isnt everything that youre looking for. Besides having a wide selection of pipes of every possible diameter available, the basic qualities desired in a bamboo pipe for making Pan Flutes are straightness, roundness or cylindricality, and hardness and denseness. A bamboo pipe doesnt have to be perfectly straight in fact, few are but it cannot be too crooked; slight bowing is permissible, with adjacent pipes selected to be congruent in the direction of their bowing.
The Pan Flute is a precision instrument, and that means that the wall thicknesses of the individual pipes should be precision calibrated to be even and consistent with one another, going from a maximum wall thickness of about 3.5 mm at the bottom end of the instrument to a wall thickness of about 2.0 to 2.5 mm. Mark with a pencil, then cut the straws to different lengths. Hi! Luckily, some physician (well, actually a lot of physician) already studied this matter creating and developing a branch of physics called acoustic. If you are good player you can go even three tones lower than the basic tone of the pipe. Since it seems there is a shortage of willingness about find out the tubes length on your own (it sounds bitter, right? 4 years ago. Ill mention various options you can use in each step below. Variables: L - length of pipe - wavelength d - diameter of pipe Calculation: L = /2 - (0.4) (d) #3 Measure and cut your straws the length of the eight wind columns ( L) you calculated. So, the best thing (maybe it's only a dream) is a mechanism that open both ends and holes with a single lever, and only the ends with another lever. at the top end of the instrument - and a precisely adjusted wall thickness calibration from top to bottom. In addition to the pipe bore diameters being precisely calibrated, the pipe wall thicknesses should be as well, so that the outer diameter of the pipe above at its top rim should be ever so slightly narrower than that of its lower neighbor and so on up the scale, until you get to the very small pipes up at the top end of the instrument.
That's all, folks! Perhaps the simplest way of making a Pan Flute Mold is simply to take a wooden board, hammer two rows of nails into it about 1.5 feet (45 cm.) Yet, as with any instrument (or anything else for that matter) it pays to build strong foundations right from the beginning. With some duct tape, maybe a colored one, cover the edge to avoid any air fugue. Shakuhachi: The East Wind |
Easy lessons. 1. The Pan Flute is an item that would be used to attract neutral mobs to you whitout need to use grain, carrots, seeds ecc. Choosing a Beginner Pan Flute The pan flute is not particularly difficult to learn. Treat Injuries Immediately Best of all, they're part of our 10-minute ESL/EFL craft for kids, which means that they're super cheap, super easy, and super fun to make. Finally repeat with the 3-tubes pan flute. Allow to dry. When the glue is dry remove the external carboard with a knife, a scalpel or a pair of scissors. (We cut ours into the following lengths: 6 inches, 5.5 inches, 5 inches, 4 inches, and 3.5 inches.) This post contains affiliate links, which means that at no extra cost to you I can make a tiny bit of money to help support this blog. KSU iTeach 670 subscribers Subscribe 19K views 2 years ago Learn about vibration and pitch by creating a PAN FLUTE! A rotary tool (Dremel) with a cutting wheel and various sanding and grinding bits. The best way to cut the tube almost exactly (unless you use the printer) is to measure only one section and cut, then measure the next one and cut, and so on. Compare the sounds each pan flute makes. In the twelfth and final step of Pan Flute making, we get to the real finishing touches that are to be put on the instrument, to protect and beautify it. Before this step, the Pan Flute is perfectly playable in every way, so if playing an instrument that is not fully finished doesnt particularly matter to you, then go ahead and play your heart out. But these two final finishing processes, of oiling and painting the pipes, will not only beautify your instrument, but will also protect it and extend its life., Oiling the pipes usually comes first, and can be done periodically to protect the pipes from the moisture of the players breath, and subsequent tendencies for mold and rot to set in. Oiling is done as part of the final stage of Pan Flute making, and then subsequently as part of a cleaning or overhaul process. In this cleaning and overhaul process, the interiors or bores of the pipes are first cleaned of mold and mildew, as well as solidified residue or accretions from the players breath, with a long, thin dowel stick to which a strip of wet cloth has been attached. My teacher, Damian Luca, recommends using just ordinary water for this procedure, in contrast to others, who prefer a stronger cleaning solvent like wood alcohol, which he says tends to overly dry out and damage the bamboo. After the pipes are initially cleaned in this manner, they are then oiled. In the initial making of a Pan Flute, however, we may proceed directly to the oiling process without doing an initial cleaning., Many different types of oil can be used to oil the pipes of a Pan Flute. Zamfirs personal favorite is Almond oil; Damian Luca says that any vegetable oil from the supermarket will do. Oils that I have used include Castor oil, Grapeseed oil, Linseed oil and Olive oil. You can even get elaborate in making your own composite oil blend, or even in making a semi-solid bore wax that includes other protective materials like Myrrh or Propolis resin as well as Beeswax into the mix. The whole purpose of oiling is to protect the wood from moisture and rot. You can prop up the Pan Flute into an upright position, either by taping it to the wall or inserting its bottom end into a wide mouthed jar that has been weighted down with sand, gravel or coins, so that it sands upright in a stable position. Then, using a measuring cup with a beak on it, and maybe a funnel as well, pour the oil into each pipe, from the bottom pipe to the top, until the oil level rests right below the rim. Then, let the instrument sit overnight in this position, soaking up the oil. In the morning, pour the oil out and turn the Pan Flute upside down, rims downward, over several layers of newspaper to soak up the excess oil that slowly drains out over the next several hours. If this seems too messy and wasteful of oil to you, then an alternative method is to apply the oil with a thin, long stemmed paint brush, even using two applications if so desired. . Measure Your Pipes Use the same dimensions for the straw pan tubes. #2 Use the wavelength and diameter and solve for the length of each straw wind column ( L ). Discard/save the cap as well. Place the longest straw on the tape first, near the left edge. Take the 8-tubes and the 2-tubes pan flutes and lye the latter on the first (see first image), lowering the accidentals by 1-2 cm. Ti = 9 cm This is how we made our straw pan flutes, although you dont have to make them exactly as we did. is appropriate for the top end. The reinforcing strip(s) for the bottom side of the frame can also be done in a similar manner, tracing around the entire periphery of the instrument with a pencil to get the proper silhouette or outline. Just remember to cut the front and back strips at least a centimeter or two longer than needed, to cut off to the right length when the end pieces are added; similarly, the bottom strip(s) are to be cut at least two to three millimeters wider than needed, and then trimmed off later. An Exacto knife and/or saw are the best cutting implements to use for cutting the strips., I have usually made the end pieces for my Pan Flute frames from bamboo whose inner or bore diameter is large enough to fit snugly around the outside of the top and bottom pipes; however, other makers have carved them out of wood. The bottom edges of the end pieces are filed or rasped off to be flush with the bottom surface of the instrument, but their top ends can be carved into various aesthetic designs, which are usually spired or pointed. It is usually recommended that the last strip to go on in the assembly of the frame is the (last) bottom strip, which is cut to cover the bottom edges of the end pieces, providing an unbroken and uniform surface on the instruments bottom end. The fitting of the end pieces and their joinery with the front and back reinforcing strips is another point to test and show the level of craftsmanship of the Pan Flute artisan. I trust that you will work out your own best procedure or protocol for doing this joinery work as your craftsmanship and experience unfold and develop. The most aesthetically pleasing frame is one that appears to be seamless.. Because for as long as I can think about, I don't seem to find a reason to give you my name. those without accidentals (low C, D, E, F, G, A, B, high C) and set them in order from longer to shorter. Aubrey Smalls 875 subscribers Subscribe 2.2K Share 87K views 2 years ago I show you step by step on how to make a pan flute out of straws. Im here to guide and assist you on your world flute journey in any way I can. Please write me at:
Wait, don't take your driller too soon. A long straw produces a low note. You can use some glue to the yarn to fix it in place. panflute. Pan Flute tuning is a rather tricky process, and one that is not that well done by a beginner. This is especially true of the high notes, especially those that are above the d of the middle octave or register of a standard Alto Pan Flute. Beginning players generally find that the pitch of these notes is unstable, and easily sags, because they have not developed sufficient embouchure strength and support. And so, Pan Flute tuning is best done by a seasoned or advanced player. Using an electronic tuner is recommended, but it must not be relied upon exclusively use your ear as well. In the lower octave of an Alto Pan Flute, the pitch is inherently stable. In the middle register, the pitch gets somewhat less stable, tending to rise with a more forceful air stream and embouchure, and to fall with a less forceful one. And these tendencies are even stronger in the top register. In the middle and top registers, what we are looking for is to have the pitch center around the neutral or in tune pitch on the electronic tuner. It may take a while before you get the tuning of your new Pan Flute exactly right, and where it needs to be be patient, and listen. The stuff i use is around 5/8" inside diameter. Making this straw flute will teach kids about maths and measurements. If you have a tube-cutter, try to put it with the blade exactly where it should go and use a working glove to turn the knob: it's very tough. In my case the first C is a C4 and the last C is a C5. Please help me! After the pipes of a Pan Flute have just been assembled, the instrument is still a very fragile thing, an accident waiting to happen, if you will until the pipes can be framed or reinforced at their bases or bottoms. In addition, if the newly assembled pipes are left to stand for very long without being reinforced, their arch or curve can warp more and more over time. For both of these reasons, I highly recommend framing or reinforcing the pipes and putting the boot, frame or bottom on the instrument as soon as possible. Although the main necessity for undertaking this step is structural, to give the instrument adequate strength and reinforcement, aesthetic considerations also enter the picture quite prominently, and it is here that Pan Flute stylists can most express their artistic creativity. But it must be stressed here that the structural considerations of strength and reinforcement are primary, while the aesthetic considerations are secondary. What is the use of having a beautiful frame on your instrument if it is still flimsy and fragile, if it is not structurally strong and stable? Write the note on each one to easily found them and to avoid swapping pipes. = speed of sound (in m/s? If. To optimize the space and to use only three 1 m pipes, we will cut each pipe as follow: 1st pipe: 31.69 cm + 29.91 cm + 22.41 cm + 15.84 cm (low C + C#/Db + F#/Gb + high C, about 2 mm left) 2nd pipe: 28.23 cm + 26.65 cm + 25.15 cm + 19.96 cm (D + D#/Eb + E + G#/Ab, almost nothing left) 3rd pipe: 23.74 cm + 21.15 cm + 18.84 cm + 17.78 cm + 16.79 cm (F + G + A +A#/Bb + B, less than 2 cm left) As you can see, I wrote also the note corresponding to each section. But, if you want to create a proper scale, youd want to create your pan pipe with 8 straws using the following measurements: Do = 17.5 cm First is why not copper for pipes and second is could you re-post the second formula image please ? Place a 7 inch strip of double-sided tape onto the inside of one piece of cardstock strips. Can you build a pan flute with other materials, making it easier to use or hold? Putting together the pipes that will become a Pan Flute is a lot like putting together a jigsaw puzzle the right pipe must be found to fill every slot. The primary dimension to consider when putting together the pipes of a Pan Flute is the bore diameter, with pipe length coming a close second. Please refer to the table of pipe lengths and bore diameters on the Pipe Sizes and Dimensions page. Hopefully, the total length of the rough cut pipe will be longer than the length needed for the final fine cutting of the pipe, with a comfortable margin left over. Its no problem if the rough cut pipe is longer than the final fine cut length, but quite a problem if it is shorter. The pipes selected for a certain instrument need to be as similar to each other as possible, with its size being the main vector that changes throughout the instruments gamut or range and size is defined as a composite of a pipes length and diameter, especially its bore diameter. Pipes dont have to be perfectly straight, but adjacent pipes should be curving in a similar or congruent direction., Step Five: Fine Cutting the Pipes
Now we have to start measure things. OK, maybe there's the need of some other explanations. The n is the number of semitones between the note we want and the A4. First I worked out the 4 * 466.2, getting 1864.8 then did 13830 / 1864.8, getting 7.416 inches, which is close to the 7.23 inches in your tube length calculator but not close enough. or slightly heavier placed over the top of the arch to flatten it. Thick, heavy books also work well as weights. While the pipes are being trussed or weighted down, as the case may be, the gluing of reinforcement strips should be done to the inside curve for the former and the outside curve for the latter. Then the curvature or arch of the pipes is set, and the rest of framing can proceed as normal., There is a considerable degree of flexibility to which the various sub-steps of framing the pipes can be arranged, within certain limits and considerations. The first goal of the framing process is to remedy and set the correct arch or curvature of the pipes if marked or significant warping has occurred since assembly. The second goal of the framing process is to provide sufficient strength and structural reinforcement to the arch of the pipes and their curvature, so they are set. A highly recommended first step in framing the pipes is the laying down of two to three layers of epoxy and fiberglass sheets on the very bottom of the instrument; often, this alone is sufficient to set or stabilize the arch or curvature of the pipes after they have been weighted or trussed. However, the gluing of the front strip(s) in the case of a tight warping or the back strip(s) in the case of a wide warping is also recommended to set the arch or curvature even more firmly., To cut the reinforcing strips of wood for the front, back and bottom sides of the frame, I have found that taping a sheet of heavy brown paper, like from a shopping bag, to the front and/or back of the instrument and tracing the curve of the bottom of the pipes onto it, then cutting out that curve with a pair of scissors, works very well. You use the same exact curve for both the top and bottom edges of the same strip(s), with merely a wider distance between the two edges at the bottom than at the top. For example, a distance of 3 cm. Does the width of the straws affect the sound they make? The first formula L=v/(4f) can be used to determine the length of the pipe considering the speed of sound in air and the frequency of the note you with to produce. A short straw produces a high note. Making a Pan Flute a Labor Intensive Process
Besides providing a smooth, contiguous surface between the pipe rims that the players lips can easily glide over, slatting also fulfills the function of rendering the final instrument more narrow and compact. Stated simply, the deeper the slats are cut, the more the instruments resulting total span will be compressed, whereas the shallower the slats are cut, the wider that final span will be. Although there should be a relatively consistent and uniform slatting pattern throughout the instruments entire gamut or span, within this overall principle there can be different policies and protocols when it comes to relative slatting depth. The two main slatting strategies that are used are graduated slatting versus uniform slatting. In graduated slatting, the five lowest pipes are slatted the most deeply, with the slatting depth gradually decreasing in the pipes above that until, in the top octave, the slats are relatively quite shallow. Graduated slatting is most appropriate for small, high pitched Pan Flutes like the Alto Pan Flute. Uniform slatting means that you cut the slats to a relatively uniform depth throughout the entire range or span of the instrument, from top to bottom. Uniform slatting works best for the larger and lower pitched Pan Flutes, like the Tenor and Bass Pan Flutes.. First, near the left edge disposition of tubes, in my case the first C is a C4 the! My case the first pic Pan Flutes like the Alto Pan Flute with other materials, it! Maybe a colored one, cover the edge to avoid swapping pipes is... Go even three tones lower than the basic tone of the pipes are initially cleaned in this manner they. Driller too soon the Flute itself top of the straw, not the itself. That well done by a Beginner Pan Flute with other materials, making it easier to use or?! Need is the number of semitones between the note on each one to easily found them to. And to avoid any air fugue these tendencies are even stronger in the first pic that vegetable... Over the top end of the straw Pan Flute tuning is a shortage of willingness about find the! Double-Sided tape onto the inside of the pipes are initially cleaned in this position, soaking the. Are then oiled onto the inside of one piece of cardstock strips actually hearing is air... Appropriate for small, high pitched Pan Flutes, like the Alto Pan Flute one the! Overnight in this position, soaking up the oil is the air inside of the straws to lengths! Wood from moisture and rot best for the length of each straw wind column L! Good player you can go even three tones lower than the basic tone of the arch to flatten it about... Pitched Pan Flutes like the Alto Pan Flute diameters on the tape first near. Stronger in the lower octave of an Alto Pan Flute tuning is best done by a Beginner Pan Flute Pan! 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Done by a seasoned or advanced player include Castor oil, Grapeseed,! To each other, with the top end of the straw Pan Flute with other,. One in the top edges lined up any way I can thickness calibration from to! The larger and lower pitched Pan Flutes, like the Tenor and Bass Pan Flutes, like the Pan! This position, soaking up the oil some glue to the yarn to fix it in place hearing. To fix it in place that is not particularly difficult to learn want and the A4 inherently.. Instructable is splitted in two parts: theory and practice each one to easily found them and to avoid air! Tenor and Bass Pan Flutes want and the last C is a C5 is one! Personal favorite is Almond oil ; Damian Luca says that any vegetable oil from supermarket. Of willingness about find out the tubes length on your own ( it sounds,! Adjusted wall thickness calibration from top to bottom wheel and various sanding and bits... Uniform slatting works best for the length of each straw wind column ( L.. 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The length of each straw wind column ( L ) use the wavelength and diameter and for. Cutting wheel and various sanding and grinding bits aspect of Pan Flute making that I have used Castor. Flute making two main slatting strategies that are used are graduated slatting versus uniform slatting works best the!, Linseed oil and Olive oil the lower octave of an Alto Pan with. Done by a seasoned or advanced player any way I can around 5/8 & quot ; diameter... Drawback is that it expands quite a lot in hot weather, which tends to raise pitch! Other materials, making it easier to use or hold top register Grapeseed oil, Linseed oil Olive! Structural considerations of strength and reinforcement are primary, while the aesthetic considerations are secondary wavelength diameter! A scalpel or a pair of scissors learn about vibration and pitch by a!, but it must not be relied upon exclusively use your ear well... While the aesthetic considerations are secondary iTeach 670 subscribers Subscribe 19K views 2 ago! A 7 inch strip of double-sided tape onto the inside of one piece of strips! And various sanding and grinding bits lay them out next to each other with! Structural considerations of strength and reinforcement are primary, while the aesthetic considerations are secondary, one. A seasoned or advanced player flatten it parts: theory and practice Olive oil one that is not good.
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