Louis Armstrong and Jack Teagarden, between 1938 and 1948 Teagarden played professionally from age 14. New Orleans-style trombonists tended to play in the lower range of the instrument, where it is simply impossible to change notes as quickly as a trumpet or clarinet does; entire arms cant move as fast as a single finger. Such a man is Jack Teagarden, in the New Orleans vanguard when Dixieland was in its heyday, and after thirty years still its most enthusiastic and gifted exponent. For instance, Jack and crew jammed with the King of Cambodia who as clarinetist had jammed with his idol, Benny Goodman, when Benny had toured that area few years earlier. While still in And as he drove along another car hit him from the rear. This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. A bulky, sadfaced man with a husky baritone voice, Mr. Teagarden was one of the few musicians whose work aroused enthusiasm among all the splinter groups in contemporary jazz. In 1964, while playing the Dream Room in New Orleans, he succumbed to pneumonia, brought on by a lifetime of too much booze, too many cigarettes and too many one-night stands. From a jazz-oriented family. 78_somebody-loves-me_eddie-condon-and-his-orchestra-jack-teagarden-bobby-hackett-billy_gbia0195458b Location USA Scanner Internet Archive Python library 1.9.0 Scanningcenter George Blood, L.P. In addition, he has won legions of musicians as fans, not only because of his playing but also because of his untiring battle against the percent tax, which has kept him from singing at many club engagements in the last decade. In 1938 he left Whitemans band to form his own. By 1928 he played for the Ben Pollack band. The fact that the 56-year-old singer-musician has survived the chameleon-like disposition of the public is largely due to the tremendous impact of his personalitystrong-jawed, smiling, and graciously charming. In the Pollack band, in particular, he worked with some of the most famous jazzmen of the time, including Benny Goodman, Bud Freeman and Jimmy McPartland. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60. When in 1951 he left Armstrong and with his wife Addie, who became business manager, formed the sextet, he had settled into the life of a responsible jazz musician and family man with Addie and Joe Teagarden, his newborn son. I was outraged. I Ain't Lazy - I'm Just Dreamin'. What mattered was that Hack was a guy dedicated to the sound a hard-lipped genius can get out of a sliphorn. The trombonist, nevertheless, was still a large name (he previously fared quite nicely within the 1940 Bing Crosby film The Delivery of the Blues) and he previously many close friends. Performer: Jack Teagarden and his Orchestra; Jack Teargarden Writer: Kennedy; Carr Vocal Chorus. I asked him a couple of years ago when he was playing in Chicago if he ever felt really peaceful. Fort Lauderdale civic activist Vernajean Atwell, stepdaughter of noted trombonist Jack Teagarden plays with her adopted dogs. Yet much as people like the easy-going Big T, they like even more the music that, hour after hour, pours languid, unaffected, strangely absorbed, andsometimeslonesome and full of plain earthy sadness, into a thousand city nights.. . Using alternate positions and an embouchure that was apparently extremely flexible (meaning he could change the pitch of a note using only small changes in his lips, mouth, and face muscles), Teagarden could play in the way that appealed to him. Early in 1964 Teagarden cut short a performance in New Orleans because of ill health. His former wife had taken all the spirit out of him when she sued for divorce and got custody of the restaurant which supported him and his cymbalom. Teagarden married Adeline Barriere Gault in September 1942; they had three children of their own and one foster child. Atwell, divorced and mother of four children, moved from California to join them. Teagarden is one of them. All the music I've played has finally paid off, he said. He was also among the first white jazz musicians to record with black players. Theres a sentimental streak in Teagarden that immediately warms an audience, whether it is made apparent in a song or a gracious act onstage, or even an introduction. Sorry! He led his own band (193947), played with Louis Armstrong (194751), and re-formed his band (195157). All these guys were just my fathers friends, she says now. She also worked with disadvantaged youth. He was 58 years old and had reportedly been suffering from pneumonia. Jack Teagarden discography and songs: Music profile for Jack Teagarden, born 20 August 1905. T, Big T (to brother Charlies Little T), Jackson, Gate, and Big Gate (again, Charlie was Little Gate), Jack Teagarden was by all accounts a big, easy- going, friendly man, well-liked throughout his career by his fellow musicians. [2] In the mid-1920s he started traveling widely around the United States in a quick succession of different bands. Each position causes the instrument to be a slightly different length, and the instrument can play a (different) harmonic series at each length. This has a practical effect on trombone playing: in the lower register of the instrument, there are fewer notes in any given position, and often only one position in which a note can be played. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. Teagarden was buried in California. Weldon Leo (Jack) Teagarden, jazz musician, known also as Jackson T., Mr. T, and Big Gate, was born in Vernon, Texas, on August 20, 1905, to Charles and Helen (Geinger) Teagarden. From 1939 until 1947 he toured with his own big band, which, though financially unsuccessful, produced both good music and good musicians (including Charlie Spivack and Ernie Caceres). Although Teagarden enjoyed a long career, it was at this point that he had the greatest effect on the history of jazz. He and his mother played duets (trombone and piano) as background to the silent films at a Vemon theater. Unfortunately, he had neither the dominant personality nor the business smarts to be a good bandleader, and by the end of that year he was already $46,000 in debt. Jack Teagarden was among the first white musicians to absorb and project the Negro blues tradition. Lots of clips of Jack, including home movies, as well as interviews with musicians who worked with him, . Then in 47 when he joined Armstrong, Teagarden stepped up as top-ranking sideman, second only to the fabled Satchmoand more important able for the first time in his haphazard career to play the music that has made his name legendary in jazz annals. My cymbalom player was truly a fine artist but he did not protest his ignoble reduction to book binding. Quick Facts Full Name Jack Teagarden Died January 15, 1964, New Orleans, Louisiana, United States Profession Actor, Singer, Bandleader, Trombonist Nationality American Spouse Adeline Barriere, Billie Coates, Claire Manzi, Ora Binyon Parents Charles W. Teagarden, Helen Geingar Siblings Charlie Teagarden, Norma Teagarden, Clois "Cub" Teagarden 29, 1905, Teagarden learned trombone by the age of 10. Jack Teagarden played trombone with a relaxed style and a unique technique that still inspires awe even today. As one columnist put it, his visit was worth ten diplomats. From a down-on-his-luck jazzman to senior statesman and musician extraordinary, Teagarden has come up the hard way to stand as one of the truly permanent figures in American jazz. He and Addie settled in California, and he formed a small band again. Teagarden, quite a ladies man, married the first of four wives, and wrote to her prophetically from the road: I have been drinking a terrible lot but I am going to quit.. Even at the earliest stages of his career, he exhibited an extraordinarily elastic and modern technical facility with his lips and slide. Who Is Jack Teagarden's Wife? Four stylii were used to transfer this record. Looks like we don't have awards information. "url": "https://www.allaboutjazz.com/musicians/jack-teagarden" In 1939 Teagarden formed his own band; it was musically innovative but not financially successful and was disbanded in 1947. It is well known, that he was rarely content to let his nights work end when the band trouped off the stand, but would always be ready for some after-hour sessions. Eddie Shields, the circulation driver who writes songs, phoned the minute he read about Jack. We have been all over this silly town. He was the younger brother of Jack Teagarden. Well, I took her back to Jacks hotel and I have never, come to think of it, seen the lady since. His brother Charlie was a fine trumpeter, sister Norma could tear up a piano, and Clois Lee "Cub" Teagarden played drums on some of Jack's Columbia recordings in 1939. After drifting across the Southwest, he eventually arrived in New York City in 1927 and made his recording debut. After departing Armstrong, Teagarden was a head of a progressively working sextet through the entire remainder of his profession, playing Dixieland with such talented music artists as sibling Charlie, trumpeters Jimmy McPartland, Don Goldie, Potential Kaminsky, and (throughout a 1957 Western european tour) pianist Earl Hines. Saturday Review wrote in 1964 that he walked with artistic dignity all his life, and the same year Newsweek praised his mature approach to trombone jazz.. This was the period when everybody who was anybody in jazz had their own band, so Jack Teagarden decided to organize his first band in 1939. Though he was extremely shy, he talked freely with her. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. After working in the Southwest and in Mexico with pickup bands, he came to New York in 1927. In 1933, after a brief stint in Mal Halletts band, he signed on with Paul Whitemans orchestra for five years. It apparently also greatly appealed to other musicians as soon as they heard it, but it relied so heavily on using unusual slide positions and on his ability to bend notes with his unusually flexible embouchure, that his style is generally considered to be literally inimitable.. Sorry! [2] According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". Updated April 25, 2019 - Doug Ramsey. He was such a fine musician that younger brother Charlie (an excellent trumpeter) was always overshadowed. He was such an excellent musician that youthful sibling Charlie (a fantastic trumpeter) was generally overshadowed. Isham Jones and His Orchestra - Vocal Refrain by Eddie Stone. And Mom had to explain to me that they werent allowed in the room because they were black. Digitized at 78 revolutions per minute. Teagarden? She nodded. In New York, Teagarden became enthralled by Harlems black nightclubs, where he was often invited to join late-night jam sessions. The secret, she says, was a lot of yelling and marching and to get the neighborhoods youth involved. One of the most remarkably consistent performers in jazz history, Jack Teagarden never played less than flawlessly and, when in the right company, frequently set standards for creativity and instrumental brilliance that to this day remain beyond the grasp of most. Later, searching for style and a kind of watering spa for his ideas, he drew from the blues a source of depth that makes his brand of Dixieland distinctiveand clearly divided from any other. Jack Teagarden made the trombone sexy, and his pliant, lazy tone made the instrument swing like a trumpet. Teagarden also had a remarkable voice. See also He was just downing the dregs of it when the door of the dive opened and in burst a very cute little blond. 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